Its been about six weeks since I posted,
shocking! There has a lot been going on
in November, including a visit to the studio of Mark Vose in Halifax. As well as having an impressive studio space
and being a talented photographer, he also builds great plate cameras.
John Brewer also opened a new exhibition, 'The Cabinet of Curiosities’. I went to
the opening of this with Eleanor Kalaher who has just taken her first steps
into the land of wet plate. Not only did
he exhibit his latest plates, on trophy plate, but also some of the props and
subjects.
I bought a box full of broken wooden
cameras off ebay. When it came there was
a whole plate and two half plate cameras, assorted plate holders, two roller
blind shutters and five lenses. It took
me less than a day to fix the whole plate and I have been using it ever
since. The 10x12 is packed away and I
have a new favorite format. I have just
about finished one of the half plates, the other will be more of a
project. The purchase was worth it for
the lenses alone. I have cleaned them up
and am using three. I may see if Mina
wants one of the others for her half plate, or maybe Eleanor will get bitten by
the collodion bug.
I have had three students over to work with
me and introduced them to wet plate. I have
had a huge problem with comets, especially when there were three of us working
together. It turned out to be plaster dust
still coming up from the floorboards.
Hardly surprising after all the sanding that’s gone on, but I thought
after killing two vacuum cleaners and several mops I would have got rid of it by
now. To cure it I have sealed the floor,
and the problem seems to have gone away.
I managed to get a four tube proofing light
and have hung it from the ceiling above my desk and printer. I should have listened to the advice of not
to hang it on my own! I got one end hung
then got stuck with the other. I had
visions of me standing there shouting for help.
I managed it in the end.
I finally got around to making the curtains
so the rails were moved back and I now have curtains that fit the windows. This means that the plasma screen is usable
for slide shows, digital presentations (and watching Breaking Bad!).
All of the spot lights are up and working
so I have hung an edited version of the Forest Nation exhibition from May.
I dragged an old filing cabinet up the
stairs – literally at times – so this has gone where the table I used for
cleaning plates was. The table has now
been painted and is next to the plan chest, which is where I cut the glass.
The wet darkroom is tidied and homes found
for every thing. I have extended the bench
in the dry darkroom so that it is full length.
I bought a DeVere 504 bench top chassis to repair my 507 drop table. In the end I just swapped the carriages and
now have a 507 bench enlarger. This sits
next to a 5x7 Chromega and a 35mm DeVere.
There are two 5x4 Chromegas in bits under the bench along with the drop
table DeVere chassis. Been a busy few
weeks.
I had a visit last weekend from the very
talented Eleanor Kahaler, photographer, artist, musician and one of the
funniest people I know. She as returned to shooting on film so came to try out the darkroom, I had forgotten how much I
love working under red light.











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